Ah, the 1990s! It was the era of Britpop, Cool Britannia, Loaded and lager.
I was invited on to Lisa Morton's excellent podcast, WE BUILT THIS CITY.
Her blurb for me was lovely: "When Michael Taylor left Lancaster for university studies in Manchester, he gained more than a sociology degree - he found a city to call home, a true adopted Manc.
"Experience 1980s Manchester through Michael's memories of the clubs, relationships and a cultural vibrancy he came to embrace and love.
"What did Michael learn from being at the heart of the city’s business world as the editor of Insider, and what are the valuable lessons that have informed change in Manchester over the past 20 years?
"Michael’s career has taken him down several different avenues into politics and academia, so what led him to recently return to his first love, journalism and become editor of online magazine The Business Desk.com and what does he feel is still left to be written?
"The conversation demonstrates the power of place in shaping identity and the relationships and connections that help to build a career in Manchester."
I probably displayed more vulnerability than I usually would, and at times it felt like therapy, but that's LIsa's skill as an interviewer.
We also recorded it before the conclusion to the rape trial of Lawrence Jones, a senior figure in the Manchester tech world, which I wrote about. Lisa also wanted to remind me of my own shortcomings during the laddish 2000s and the times when she suffered harassment.
I've known Lisa since 2000 a few years after she started PR company Roland Dransfield in 1996, one month after the fateful IRA bomb that tore apart the city centre. From that point, the business, and its team members, have been involved in helping to support the creation of Modern Manchester – across regeneration, business, charity, leisure and hospitality, sport and culture.
To celebrate the 26 years that Roland Dransfield has spent creating these bonds, Lisa is gathering together some of her Greater Mancunian ‘family’ and will be exploring how they have created their own purposeful relationships with the best place in the world.
I had that Andy Burnham on my podcast the other week.
The Greater Manchester Mayor spent a good hour talking politics, sport and culture in a wide ranging interview on the Northern Spin podcast that I do with a small c conservative called Chris Maguire.
But I fluffed my lines.
I was meant to use the opportunity to get a few lines for the Music Therapy show. A few musical tips and to ambush Burnham with a story I’d heard about a nickname he acquired at the South By South West (SXSW) music and technology festival in Austin, Texas a few years ago.
A very reliable informant told me that word had rippled around the festival, amongst women of a certain age and disposition, that the Manchester stand was the place to hang out.
Not to pick up a brochure on how the city has become a tech hub, but because of the presence of ‘Hottie Mayor” with the big eyelashes and a charming smile.
Getting a selfie with “HM” became the thing.
I’m sharing this with you now, but though it was in my mind when we were doing the interview in the podcast studio, I couldn’t quite find a way to get it into a question.
We did talk about SXSW though, where he was earlier this year too, partly to launch Manchester’s very own music convention later this year - Beyond The Music, the brainchild of Rose Marley and Oliver Wilson, son of the late great Tony Wilson, who’s passing at the age of 57 in August 2007 we still mourn.
Here’s what he said: “Does it get any better than introducing New Order from the stage in Austin?
“I think it is possible because it's actually well documented that South by Southwest took inspiration from In The City, which was a Tony Wilson music conference that ran in the early 2000s.
“Beyond the Music is going to be a parliament for music. It's going to be a sort of co-operatively owned event, and it's going to be about getting all voices in the industry coming forward. So it will bring something different.”
The Mayor has been a regular and consistent supporter of local music since he was elected. He picks an Artist of the Month and encourages people to get along and support live music.
He also goes to gigs for fun, not just for the photocall. It’s his thing.
In a magazine aimed at lads like us, Paninaro, up pops Burnham again.
The Scottish blokes who put it together were equally as charmed, though they didn’t call him ‘HM’.
A totally phoney politician would come up with stories for this audience about dancing on the stage of a certain Manchester nightclub in the 80s and 90s.
Burnham tells the story about being turned away from the door as a fresh faced townie from Warrington.
He plugs a few bands for Paninaro - Slow Readers Club are the latest.
“In a different era they would have been everybody’s band. Quality wise, they are right up there.
“The Mayor’s Artist of the Month is there because of my upbringing and the joy music has given me. But you have to be critical of the place you are from as well. There is a tendency to trade on past glories…you’ve got to take inspiration from that and fire up what’s next.”
A few days after we recorded our podcast, the Mayor was on stage at the Kendal Calling festival introducing big favourites of this show, Blossoms, giving a big shout-out to Stockport in the process.
I can’t think of many politicians who could get away with something like that without getting completely slaughtered.
As music fans, I think we’re very lucky to have support like this.
To hear his views on cricket, Catholicism, northern values and Gary Neville check out the Northern Spin podcast on YouTube or wherever you get your podcasts.
I need to get my mojo fired up and my writing head on. I've created a whole load of deadlines and expectations for the month, that will keep me motivated. However, I've also set myself the blog a day target as well.
I've done this before in July 2019 and November 2020. I may even get around to covering some of the topics I promised to cover last time, but didn't. Like on our radio show, I do requests, but reserve the right to not do ones I don't like.
In short order, and on the list are:
Just to be clear, I don't often suffer from writer's block, but I am old enough to recognise that I work best under pressure. I should also at this point link to the Big Issue in the North, which published my feature on the BBC. I'd love you to buy a copy from their digital archive, here.
I also do a weekly column on music (mainly) for the Weekender section of the Tameside Reporter and Glossop Chronicle. One of the recent ones is here.
I was also involved in the Inset Day at Aquinas College yesterday, which prompted this piece on LinkedIn.
So, which me luck and I hope this works.
So I've done my Sounds of the Season on Rovers Radio, like a Desert Island Discs for Blackburn Rovers fans. Usually, I do the interviews, but this was my turn to be in the hot seat.
You can link to it here. But this is the preamble.
Honestly, in many ways 1983/84 was a bang average season for Blackburn Rovers, not many memories feature in the history books, compared to what came several years later. The crowds were really low, in fact, we hit a new low. But it was really memorable for me for all sorts of different reasons, just going to Rovers, them becoming part of my life, was one of the emerging pillars of my identity, as were music, ideas, fashion, amongst others.
On the pitch, Simon Garner had a great season. Norman Bell got injured in the first game and never played again. So Garner was partnered with Chris Thompson mostly while Miller or Brotherston or Patterson provided the crosses. This season saw the emergence of Simon Barker alongside an ever-present John Lowey in the centre of midfield.
At the back, it was still Baz, Faz, Keeley and Branagan, in theory, but David Glenn filled in for Baz for most of the season, and all-rounder David Hamilton popped up wherever he was needed. Terry Gennoe was a solid presence in goal, with a cup run, an unbeaten league run, strong home form, on paper it looks like a good season, but too many draws meant although we finished 6th, it never felt like a promotion push. Chelsea and Sheffield Wednesday were comfortably ahead, Newcastle finished third and Manchester City had to endure another season down in the doldrums.
It was however a great year for music. A massive turning point, a breakthrough. Just look at the choices I make and think what it must have been like to be alive and excited by all of that happening for the very first time.
Culturally, this period of time probably had a more profound and lasting influence on me than many of the later years. I bailed out of my Grammar School a year into sixth form and enrolled at Lancaster and Morecambe FE College instead, and instantly felt so much more at ease. Some of the things I got into later I quickly backed away from, but there is a reasonably straight line from the person I was in 1983 to where I am today, which I am very comfortable with.
It was also a pretty violent and racist time. There was always tension in the air, a sense it could kick-off, especially as you were hunted down at away matches, or when the bigger clubs arrived at Ewood. I also could have relayed scrapes at nearly every match I mention here, but I survived.
These are my Sounds of the Season, 1983/84. Do give the show a listen if you want to hear the rest of the story. I’ll dedicate it to Chris Heath (RIP), Nick, Phil, Tony, Mick, Daz, Dave, Neil Fell, Phil Shaw, Lancaster and Morecambe FE College, Baz Dootson, and an apology to Louise Stokes for not returning her David Bowie LP.
The Songs
My Ever Changing Moods - Style Council
Modern Love - David Bowie
This Charming Man - The Smiths
Thieves Like Us - New Order
Boys Don't Cry - The Cure
Ain't Nobody - Rufus and Chaka Khan
Nelson Mandela - The Specials
White Lines (Don't Do It) - Grandmaster Flash
The Killing Moon - Echo and the Bunnymen
The Day Before You Came - Blancmange
I said I wanted to 'up my podcast game' a couple of weeks ago. Anyway, on that theme two recordings I did this month have landed today, rather proving the point that the production, marketing, social and framing of podcasts generally has been through quite the evolution.
First up, two of my hiking friends Mitch and Richard asked me to carry on a conversation that probably started at Kinder Downfall earlier in the year, just as we came out of lockdown one. They have an amazing podcast series about the world of work and it was so good to speak with them.
Then the Higher Education policy platform and news hub WonkHE invited me on to the WonkHE Show pick through the week's news. Hope you enjoy it.
I'm getting some better gear to complement a top quality microphone (currently without a cable), and have got the youngest son on the case for a mixer and the best software.
But that's enough about me. The reason is down to the absolute game changing quality of podcast output over the last year. The ones I'm involved in have got really good, so a big shout to Ian from the BRFCS podcast for nailing the tech and the production. Obviously doing a show with a proper radio station with broadcasting professionals means we have raised our game too.
Even in a global pandemic with travel restrictions, the dramatic quality of podcasts keeps getting better. My mate Macca casually asked me this week if I could recommend a few and that's focused my mind.
Here they are:
Nonce hunting with John Sweeney (above).You can listen to us live here. We'll probably get round to setting up a website with mini features, extended interviews and playlists. Possibly.
Massive thanks to Chris Bird and Andy Hoyle at Quest Media for giving us the chance.